Saturday, September 18, 2010

We Three Things | Water Colors

Culture
Design
By LEANNE SHAPTON
July 16, 2010, 11:26 am



It is too hot. My constant craving is to be submerged in a cool pool: the sound of kicking overhead, of bubbles and muffled splashing. Everything is slower and suspended underwater. I spend as much time as possible in the deep end, and when I’m not there, I seek out that submersible summer feeling. Watch this 1993 music video directed by Jem Cohen, and feel your body temperature drop.


Courtesy of Blaise Cepis

Descending the stairs to Dashwood Books on Bond Street is always refreshing, especially when the A.C. and stacks of new photography books beckon. Last week I thumbed through Blaise Cepis’s “Lemonade and Bugspray,” a collection of photos taken during the summers of 2008 and 2009. By the last picture I felt sticky and sunburned, and I missed my friends. The book smells like summer spirit! The artists Cepis, John Codling and Craig Damrauer started the Scratch Press earlier this year. It publishes work that, Cepis explains, “makes us just plain old happy.” Dashwood carries its ebullient limited-editions for $20 each.



© Pipilotti Rist/Courtesy of the artist and Hauser & Wirth
Pipilotti Rist, Video still from “Sip My Ocean,” 1996


Pipilotti Rist is in touch with her inner porpoise. The choreography of her camera in her psychedelically anatomic video installations is all flow. In my favorite piece, “Sip My Ocean,” she sings an urgent rendition of Chris Issak’s “Wicked Game” while cross-processed swimmers kick, drip and glide underwater. It’s a perfect metaphor for heady summer infatuation. The piece is part of “Partit Amistós — Sentiments Electrònics,” a solo show of Rist’s work at Fundacio Joan Miro in Barcelona, Spain, until November.

Leanne Shapton

For gin-clear vision underwater, I swear by my Swedish goggles. Look closely at footage of Olympic swimmers behind their blocks: most wear a variation on the technology developed by the Swedish company Malmsten, whose eyepieces fit closely and comfortably into the socket for a foam-free, watertight fit. The straps and bridge pieces are essentially rubber bands and kitchen string, which is why they’re nice and cheap. Order an amber, teal or rose-colored pair at circlecityswimwear.com and let your primordial instincts (whip)kick in.




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Poparazzi | Social Media Coercion

CULTURE
By
BEN WIDDICOMBE
August 11, 2010, 2:07 pm




I suggest you like this article.

Please note that this is not an invitation to read it and make up your own mind. In language that will be familiar to Facebook’s 500 million users, it is a question with your answer already supplied. And before you ask, “like” is the only option.

Social networking sites that invite us to share our opinions have brought with them a new kind of pest: the coercive “friend” who wants you to shill their latest venture.

Like your neighbor, the folk singer. Go along with his request to promote his next gig on Twitter and you risk spamming your social network and coming off as a bit of a rube. But if you decline, he’s going to notice and it can chill an otherwise cordial relationship. Gone are the days of the stack of fliers that could be discreetly filed in the trash.

For those cyber shut-ins not on Facebook, the “like” function — illustrated by a jaunty “thumbs up” icon — is a way for users to add their imprimatur to anything another person posts on their page. You can “like” a picture, a status update or even a place of business. With that comes the now-standard e-mail prompt your friends will send when they’re trying to promote a project, the “suggestion to like.” Conspicuously absent from your list of choices are “don’t like,” “whatever” and “quit bothering me.”

At least the Facebook “suggestion to like” e-mail messages have become so common that they are easy to ignore. Much harder to handle is the personal appeal.

In the last three months I have received a dinner invitation with instructions to tweet my R.S.V.P., a friend’s request to change my Facebook status update to promote his latest film pitch, an e-mail message from an adult acquaintance asking that I tweet him happy birthday, and a message on Facebook from a P.R. firm asking me to “like” a link to my own story about his client.

Perhaps this is to be expected when you have friends who communicate for a living in fields like journalism, public relations and entertainment. But recently I received an e-mail message from a relative who runs a specialty food business out of her farmhouse in rural England, asking me to tweet about her new distribution deal with a supermarket chain. I’m terrified that at the next family reunion, there’s going to be a printout of tweets tacked up next to the usual gallery of clan photographs.

George Orwell would have appreciated the “suggestion to like” as a handy modern tool that takes the grunt work out of forming an opinion. So why don’t you like this article right now? Come on, all your friends are doing it.



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Inside Out | A Closet Full of Clean

DESIGN
By RITA KONIG
August 24, 2010, 2:53 pm

Evan Sklar/Getty Images
One needs so little space to make a really useful laundry closet.


I have started looking for a new apartment. Within 48 hours, I became that clichéd New Yorker, addicted to real estate Web sites and printing floor plans out to rearrange them into my perfect apartment; I even bought a printer on Sunday so that I could print them at home! There are few things that I like more than redesigning spaces on the back on an envelope, creating rooms with little squares that represent sofas and end tables, and imagining scenes of afternoons and evenings with people popping over, and dinners being cooked in a kitchen that was once a closet and second bathroom, and which is now a place where herbs are chopped and corks are pulled from bottles.

One thing that astonishes me is the lack of laundry rooms in these apartments. You can be looking at spending $2 million, and you’re expected to go down to the basement to do your laundry in a machine being shared by the entire building. In a city where most of the inhabitants are extremely spoiled and picky in almost all other aspects of their lives, we accept some amazing discomforts in our (generally expensive) living arrangements. I won’t dwell too much on the apartments I have seen with walls shooting off in funny directions, master bedrooms that are referred to as sleeping nooks and windows that are too high or in strange corners. The rest of the country must think we are mad. I do!

While I was in London recently, I realized how much I miss having a washing machine and dryer in my apartment, and it is now an absolute must when I buy a place. One needs so little space to make a really useful laundry closet — literally the depth of a machine and the width of two, and of course some plumbing. I am currently trying to turn my closet office (now obsolete since I’ve moved to a proper office) into a laundry, since the room behind it is a kitchen — with the aforementioned plumbing. I am hoping this will be quite simple, and even if I am only here another year, it will be worth it.

Now, down to brass tacks. The best way to do this is to have two front-loading machines next to each other. The stacking system is a nightmare as you lose counter space, which you need for sorting all that laundry! Have the counter made with a piece of plastic laminate, and add shelving above for the stacks of fluffy white towels and pressed linens that seem to be the foundations of our fantasies, and of Martha Stewart’s fortune. Even the smallest spaces can fit this thoroughly civilized addition, which gives you a chance at domestic order, and when everything else is hectic, I find some solace in folding towels and arranging them neatly, rather than slinging them on the side of one’s clothes closet.

Then there is the accessorizing, the baskets, the large jars — those wonderful vintage glass ones that come from Europe, filled with soap powder and a scoop. There is space to keep an abundance of all those things that promise to take stains out. I love having boxes that make light bulbs, batteries and the various wires, extensions, USB ports and foreign adapters that seem to gather in my home much easier to find. I also love Hable Construction minitotes for chucking all these things in, and Lanvin shoe boxes are rather good, too. A laundry closet becomes the efficiency hub of even the smallest New York apartment.



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Fabulous Dead People | Frances Faye

Culture
By
CHRISTOPHER PETKANAS
July 12, 2010, 3:50 pm

Collection of Tyler Alpern

Related
Read more Fabulous Dead People columns

In the late 1950s, the cabaret scene on the Sunset Strip was so feverish, you could hear Christine Jorgensen and Frances Faye in different rooms on the same night without leaving the building. Jorgensen played the Interlude; Faye the Crescendo downstairs. Jorgensen’s set included “I Enjoy Being a Girl,” sung, apparently, without irony. A robust performer even on a bad day, Faye could be heard through the floorboards, violently slapping the piano keys and inquiring, “Gay, gay, gay, is there another way?”

Frances Faye was that rare thing, a white chick who could not only shout but swing. She had a dry, gruff voice she put in the service of a deadpan, declamatory style, nudging listeners to consider standards in a different way: stripped of obvious sentiment. Is Faye’s brash recording of “Am I Blue” the most knowing version on the books? People who thought Teddi King and Mildred Bailey and Felicia Sanders said it all have concluded “yes.”

Faye made more than a dozen albums, collaborating with the aristocrats of pop-jazz arrangers, Dave Cavanaugh, Marty Paich and Russ Garcia, and musicians like Maynard Ferguson and Herbie Mann. Faye was partial to a Latin beat, and Jack Costanzo, the great bongoist, often supplied it. If you own nothing of Faye’s, “Caught in the Act” is a good place to start. So is Terese Genecco, who performs songs identified with Faye at the New York club Iridium. Please don’t stop reading. Genecco is no dumb tribute act. She does not want to be Frances Faye; she does make you understand why she’s so important. With Nick Christo it’s more the other way around. Christo is an Australian singer whose entire show is devoted to Faye. His chirpy, wide-eyed approach is at odds with her material. Also, he’s not a girl.

Collection of Tyler Alpern

Faye’s music and sexual identity were inseparable. She had been married twice when, in the mid-’50s, she met Teri Shepherd, who was some 20 years her junior and became her manager. As Shepherd tells Bruce Weber in his film “The Chop Suey Club,” she and Faye were a couple for 31 years when Frances died in 1991 at age 79. (Shepherd still has the house they shared in the Hollywood Hills.) Onstage, Faye — one of Weber’s all-time heroes — mischievously changed “him” to “her” when singing love songs and peppered her sets with L.L.J. (Lite Lesbian Jokes). “That’s why I never go with girls,” she’d say when a woman hollered from ringside. “They’re so aggressive when they’re drinking.” The gays loved Fraaahncis. They still do.

For Faye’s longtime fans as well as those new to the party, all roads lead to Tyler Alpern, 45, of Boulder, Colo. Alpern began listening to Faye in 1988 but was frustrated by the lack of information about her. Ten years later he found a mention in a biography of Peter Allen. Since then, Alpern has traced Faye’s life in a rambling essay that runs to more than 18,000 words on his Web site, though if you dig deep you will also find some adamant score-settling: “I keep reading that although a top-notch entertainer, Frances Faye ‘did not have a great voice.’ I disagree!” As there is no biography of Faye, Alpern’s site will have to do.

If you knew nothing of Frances Faye, saw a clip and thought, That woman could only be from Brooklyn, like Fanny Brice could only be from Brooklyn, you’d be correct. Faye’s mother was a Russian immigrant, her father an electrician and arsonist familiar with Sing Sing. David Daniel Kaminsky — Danny Kaye — was a second cousin. Faye scored her first gig at 15, quit school and before she was 20 played the Cotton Club and speakeasies like the Calais Club. Gangsters, including Al Capone, adored her, some paying $1,000 a pop for requests. Discounts were neither demanded nor offered. Eight thousand dollars bought “Love for Sale” eight times. Faye was so at home with goons, she wed one, Abe Frosch, who did time for running a gambling syndicate. Her second marriage, to Sam Farkas, who had been a professional footballer, got off to a bad start. Faye was “broken to bits,” Alpern says, in a car accident on their honeymoon. Also, Farkas beat her.

Splitting the bill with Bing Crosby at the Paramount on Broadway in 1932 led to Faye’s first movie, “Double or Nothing,” which starred Crosby, and to her first record deal, with his Decca label. Visually it was hard to know what to do with Faye in that era. She wasn’t thin, and the camera did not love her nose, which was never small. (Faye went on to make her appearance part of her shtick, with flip deprecations like “I think when you’re pretty it doesn’t matter how you wear your hair.”) All of 24 in “Double or Nothing,” Faye doesn’t look a minute under 50. She wasn’t so much costumed as slipcovered. Playing a nightclub performer, she has one delirious scene in the film. For nearly five minutes, she and Martha Raye engage in a barkfest, scatting their brains out, two aliens from planet Zazz Zu Zazz.

Collection of Tyler Alpern

The ’30s were also Faye’s big years on West 52nd Street, where she shuttled between the Hickory House, Club 18 and Leon and Eddie’s. Back on Broadway in 1943 in “Artists and Models,” she was joined for one big number by four female jazz harpists. (Not the novelty it sounds: Daphne Hellman made her debut at Town Hall around the same time.) In about 1950, fed up with orchid corsages and portrait necklines, she scalped her hair and dyed it blond, earning an attack from Leonard Feather in Downbeat when Capitol Records signed her. “After studying the physical characteristics of typical recording stars,” he wrote, “… you wouldn’t be likely to pick … a matronly looking woman with a Brooklyn birth certificate, arthritis, a tough vocabulary, a quarter of a century in show business and hardly any records at all. …” Feather later tried to make it up to her by crowning Faye “the consummate nightclub performer.” Which she was.

In 1958, Faye tripped on the carpet in a Las Vegas hotel room, broke her hip and walked with crutches or a cane for eight years. Still, she worked. She’d be carried to the piano with the lights down and discovered by the audience when they went up. She was out of hope when a third hip operation proved successful. In 1977, parts of her act were filmed for “Alexander: The Other Side of Dawn,” a TV movie about gay runaways, and before retiring in 1981, she was cast as the madam in Louis Malle’s “Pretty Baby.” A series of strokes that silenced Faye seemed especially cruel.

For Nick Christo, Frances was “like a sequined piece of driftwood.” But to quote the lady herself, “Does that sound too camp?” Having floated a fragment of music ripe with innuendo, it was the question she often asked just before leaving the stage. The way she framed it, it sounded aspirational.



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Samurai Shopper | The Sunny Side of the Street

Women's Fashion
By S.S. FAIR
August 9, 2010, 1:54 pm


Marc Alary

“There are eight million stories in the naked city, and this has been one of them.” That’s the kicker to “Naked City,” a 1948 film noir shot in the most naked of places, New York. The Samurai Shopper silently utters that line after hearing hard-luck subway pitches, after sympathizing with friends or suffocating in the endless news loop of doom and gloom. I grow inured to the sheer volume and depth of public suffering, those eight million calamities waiting for me or anyone else to lend an ear, a hand, a shoulder, a few bucks.

Better to rejoice when people reach into the darkness and pull some silver linings from the vale of tears. Like Francesco Clark, who started the skin-care company Clark’s Botanicals after a swimming-pool accident left him a parapalegic in 2002. Clark was also unable to sweat, enduring clogged pores and chronic skin breakouts — true insults to injury. He and his father, a doctor, formulated the excellent botanical line that sends part of its sales to the Christopher Reeve Foundation. (Francesco is its National Ambassador.) I can sincerely rave about Clark’s Smoothing Marine Cream, and tinted lip balm, too.

Wini Burkeman’s silver lining is McBride Beauty, started after her son Max was born nearly 10 years ago. Max was colicky and covered crown to tail in eczema. Conventional pediatricians offered rubber-stamped, ineffective advice: cortisone for the eczema and too bad about the colic. Burkeman finally found a holistic pediatrician, the Park Slope food co-op and natural healing remedies — oatmeal and calendula — to take Max out of harm’s way. Just like her mother had done on her farm in Ireland, Burkeman stood over a hot stove in a Brooklyn kitchen concocting McBride’s chemical-free beauty products, named for her wild Irish rose of a mom. Max is now eczema-free, and McBride Beauty was adopted by Robert DeNiro’s Greenwich Hotel. Try McBride’s Instant Rescue Balm for dry patches. And the Grapefruit & Aloe Toner. McBride’s travel bag is indispensable.

Fortunately, the makeup artist Kristen Kjear Weis escaped personal tragedy but noticed throughout her career that women repeatedly asked her to avoid certain products in order to head off allergies, breakouts or general unpleasantness. That was the inspiration for Kjear Weis’s 99.5 percent organic makeup, which will make its debut at Space NK after Labor Day. Your cheeks will stay dewy without shine, your lips will glisten, and your eyes will be smoking, in a sexy, non-carcinogenic way.

Also making its debut at Space NK on Sept. 6 is Tata Harper’s 100 percent natural skin-care line. Harper accompanied her father-in-law to the Mayo Clinic, where he was diagnosed with cancer. Doctors there advised him to toss everything he used containing synthetics, which pretty much left his cupboard bare. Tata had her epiphany; her line, which is sourced globally and from her own 1,200-acre farm in Vermont, raises the bar on luxury and transformational results. I’ve got a gallon of Tata’s Irritability Aromatherapy Oil on order, to help with the never-ending eight million stories.



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Now Booking | Algodon Mansion

Travel
By
ROCKY CASALE
September 13, 2010, 5:15 pm


Courtesy of Algodon Mansion
Algodon Mansion


Considering how things go in Argentina — military coups, economic insolvency and, most recently, a coin shortage — the fantastically posh Buenos Aires neighborhood of Recoleta is still going strong. Its bosky streets are lined with embassies, museums and belle époque mansions that occupy entire blocks. It’s one big architectural pageant. And so, as legacy would have it, Recoleta remains a magnet for upscale boutiques and hotels like the new Algodon Mansion, which opened last month.

The New York-based development firm Invest Property Group, which is also responsible for the Algodon Wine and Golf Estates in Argentina’s Mendoza region, turned the six-story 1912 mansion into 10 sleek suites with ebony floors and furniture from B&B Italia and Capelinni. French limestone and Calacatta marble deck the bathrooms, giving them the look of baroque mausoleum on the Appian Way (if such a thing also had an oversize steam shower). The Royal Suites, starting at $1,815 per night, come with courtesy pajamas, a baby grand piano, a wine tasting set and a personal chef. If you must, you can rent out the entire mansion for about $20,000 a day.


Courtesy of Algodon Mansion
Chez Nous.


Algodon’s Argentine and French fusion restaurant, Chez Nous, serves simple but excellently done dishes like seared sea scallops and those famous Argentine steaks, and it’s unexpectedly laid back, with just 50 seats. The Cognac Bar is where you can wrap up an evening like a Victorian gentleman, with a vintage tipple and a hand-rolled cigar. And for a rare Buenos Aires sight, there’s a pool and a cocktail lounge on the roof. They share the top of the building with the 95° Spa, where the menu lists a selection of “vine therapies,” including massages, facials and rubs, that use ingredients from Algodon’s wine estate in Mendoza.

Should Algodon’s entertainments wear thin, a walk around Recoleta is always a nice distraction. Nearby are the Recoleta Cemetery and the National Museum of Fine Arts, as well as hundreds of boulevard boutiques and cafes. At night it’s calm and quiet, and the mansions’ big windows glow with soft yellow light. Especially then is Recoleta all about wealth on parade — another reason why the Algodon Mansion feels right at home.

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16/09 Photos of the Moment | Anna Sui

Women's Fashion
By BRYAN BEDDER/GETTY IMAGES
September 16, 2010, 12:16 pm

Scenes from the New York Fashion Week photo diary of Bryan Bedder for Getty Images.

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17/09 Photos of the Moment | Oscar de la Renta

Women's Fashion
By
BRYAN BEDDER/GETTY IMAGES
September 17, 2010, 1:00 pm

Scenes from the New York Fashion Week photo diary of Bryan Bedder for Getty Images.

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15/05 Google Tells Sites for ‘Cougars’ to Go Prowl Elsewhere

United Artists
MRS. ROBINSON, ARE YOU...Anne Bancroft played the original cougar in “The Graduate.” Dustin Hoffman was the cub

May 15, 2010
By SARAH KERSHAW
IF you’re a woman who would like to date younger men, you can find lots of articles about these relationships by doing a Google search.

But as a woman looking for a man, you might be a little confused by the advertisements that accompany these articles. One promises to help you find sexy Latin women, and another, hot Latvian ladies. But there are no links to the growing number of “cougar” dating sites, matching older women with younger men, on content sites that show up in a Google search. Google has recently deemed those dating sites “nonfamily safe,” and therefore its ads for such sites containing the word “cougar” will not be allowed on so-called content pages.

The Google advertising system has two components: one for ads that appear next to search results, and one for its content network. For a company like CougarLife.com, now banned from the content network, that means its ads will no longer appear on more than 6,700 Web sites, including Ask.com, YouTube and MySpace, which accounted for 60 percent of its traffic, said Thomas Koshy, vice president for marketing at CougarLife, a Toronto-based site that says it has a half-million members, men and women.

Google continues to allow similar advertising for the many sites that match older men and younger women, like DateAMillionaire.com, which assures its clients they can meet “sugar babies.”

So cougars and cubs are out, but sugar daddies and sugar babies are in.

Blurbs and “sponsored links,” which typically pop up on the right side of the screen, for dating sites like CougarLife.com and other “nonfamily” sites (one screams “Date a hot cheating wife!”) will still appear along with a list of search results.

Google, which has more than a million advertisers, would not comment on why sugar-daddy sites are still considered family safe, but cougar sites are not. The company’s decision, made public this week by CougarLife.com, has rankled not only advertisers but women who have embraced the cougar concept as a symbol of empowerment, of older women bucking dating stereotypes.

Many feminists still take issue with the word “cougar” because it may conjure the image of a predatory, aggressive older woman on the hunt for a boy toy. And plenty of cougar dating Web sites are salacious, as are other dating sites.

With television shows like “Cougar Town,” many movie plots based on these May-December romances (not always portraying cougars in a positive light) and a steady stream of tabloid reports on the comings and goings of celebrities like Demi Moore, the concept has taken hold in pop culture.

But that’s a far cry from a societal stamp of approval. Experts on female sexuality and women’s history say Google’s decision provides a glimpse into a pervasive discomfort with older women as sexually active players on the dating scene.

“It’s relatively new that women have felt O.K. to be sexual and be attractive and continue to be alive in that way as they aged,” said Lonnie Barbach, a psychologist in San Francisco who specializes in female sexuality and relationships. “It’s always been an acceptable part of culture for men to be sexual at all ages and all levels.”

Last week, CougarLife.com, which was paying Google $100,000 a month to manage its advertising and place it on content pages, was notified by the company that its ads, which had been appearing since October, would no longer be accepted.

Google confirmed that “cougar” would now automatically place a site into the adult category, but would not say which other words would do that.

“We can’t comment on specific advertisers, but our policy is that adult dating ads are classified as nonfamily-safe, meaning that they will not show on the Google Content Network,” the company said in an e-mail message.

When notified by Google of the decision, CougarLife proposed substituting a different ad for the ones that were running, picturing older women and younger men together. Cougarlife said it would use an image of the company’s president, Claudia Opdenkelder, 39, without a man in the picture (she lives with her 25-year-old boyfriend).

But the advertising department was told in an e-mail message from its Google representative that “the policy is focused particularly around the concept of ‘cougar dating’ as a whole,” and asked if the company would be open to changing “the ‘cougar’ theme/language specifically (including the domain if necessary).” CougarLife forwarded the e-mail messages to The New York Times. Google would not comment on the messages but did confirm that they were consistent with the new policy on cougar sites.

“It’s just wrong all around,” Ms. Opdenkelder said. “It’s age and gender discrimination. It’s just about older, successful, independent, strong women who enjoy someone that’s younger. Some of the men sites, they are borderline prostitution, and Google has no problem having them advertise.” CougarLife said it was considering filing a discrimination complaint with a Canadian agency that oversees equality issues between private parties, and was looking into possible legal recourse in the United States.

CougarLife.com is owned by Avid Life Media, which also owns ArrangementSeekers.com, which describes itself as “the original Sugar Daddy service catering to ambitious and attractive girls seeking successful and generous benefactors to fulfill their lifestyle needs!”

Avid Life Media executives said that while some specific advertisements for the ArrangementSeekers site had been rejected, the ads were evaluated on a case-by-case basis and the site was still advertising with Google.

Mr. Koshy of CougarLife.com said his site was, however, continuing to advertise on Facebook, spending $100,000 monthly. Facebook, he said, had objected to some specific content of proposed ads but had not objected to the cougar concept.

A Facebook spokeswoman said there was no “broad ban on ‘cougar ads,’ ” but that any advertisement’s “image and language cannot be overtly provocative or sexual.” In the messages to CougarLife, Google said it might revisit the new policy. But for now, the cougars would be confined.

Women: Why shouldn't you date younger men?

Women: Why shouldn't you date younger men?
Welcome to goCougar.com - the premiere online community for mature women who prefer to date younger men. Feel comfortable with the possibility of starting an age-gap relationship in a community where people think just like you. May be you have experienced a lot in life already and now want a totally different type of relationship. Recapture some of your youth and try striking up a relationship, whether romantic or just friendship, with a younger man!

Leave behind the embarrassment and annoyance of "everything to everyone" dating sites. goCougar is a focused community that goes beyond dating. With blogs, chat, forums, instant messaging, and many other social networking features, goCougar seeks to evolve the concept of meeting people on-line.

Men: Do you prefer the company of an older woman?
If you don't connect with women of your own age then may be it's time you explored the hidden pleasures of an age gap relationship. Older women can bring an exciting new dimension to relationships. goCougar is the ideal place to explore new possibilites and discover what you really want from a relationship.

The Cougar revolution has created a whole new genre of relationships, which is best summed up by Courtney Cox's new sitcom Cougar Town:

Women: Why shouldn't you date younger men?
Welcome to goCougar.com - the premiere online community for mature women who prefer to date younger men. Feel comfortable with the possibility of starting an age-gap relationship in a community where people think just like you. May be you have experienced a lot in life already and now want a totally different type of relationship. Recapture some of your youth and try striking up a relationship, whether romantic or just friendship, with a younger man!

Leave behind the embarrassment and annoyance of "everything to everyone" dating sites. goCougar is a focused community that goes beyond dating. With blogs, chat, forums, instant messaging, and many other social networking features, goCougar seeks to evolve the concept of meeting people on-line.

Men: Do you prefer the company of an older woman?
If you don't connect with women of your own age then may be it's time you explored the hidden pleasures of an age gap relationship. Older women can bring an exciting new dimension to relationships. goCougar is the ideal place to explore new possibilites and discover what you really want from a relationship.

The Cougar revolution has created a whole new genre of relationships, which is best summed up by Courtney Cox's new sitcom Cougar Town:

Join goCougar for FREE!
It costs nothing to join the site and start interacting with like-minded individuals.


Older women seeking younger men
This is a new era where older women are seeking younger men. Dating younger men is something that older women are doing more and more. You need to look no further than Hollywood to see the trend moving towards May December relationships.

ALTERNATIVE: Age Gap Relationships (Older/Younger and Younger/Older Men & Women) @ AgelessDating.com

goCougar is dedicated to younger men who worship older women and have a sincere desire to get involved in this specific type of relationship. However, if you are an man searching for a younger woman (within legal age limits of course!) or a young woman looking for an older man (no legal limit applies) then please visit our sister site: www.AgelessDating.com

Whoever you are looking for, please be respectful in your dealings with other people and be sensitive to their feelings! We all want to find happiness afterall...

Tuesday, September 14, 2010

Suicide Reveals Signs of a Disease Seen in N.F.L.

September 13, 2010
Suicide Reveals Signs of a Disease Seen in N.F.L.
By ALAN SCHWARZ
ALLENTOWN, Pa. — A brain autopsy of a University of Pennsylvania football player who killed himself in April has revealed the same trauma-induced disease found in more than 20 deceased National Football League players, raising questions of how young football players may be at risk for the disease.

Owen Thomas, a popular 6-foot-2, 240-pound junior lineman for Penn with no previous history of depression, hanged himself in his off-campus apartment after what friends and family have described as a sudden and uncharacteristic emotional collapse. Doctors at Boston University subsequently received permission from the family to examine Thomas’s brain tissue and discovered early stages of chronic traumatic encephalopathy, a disease linked to depression and impulse control primarily among N.F.L. players, two of whom also committed suicide in the last 10 years.

Doctors in the Boston University group and outside it cautioned that Thomas’s suicide should not be attributed solely or even primarily to the damage in his brain, given the prevalence of suicide among college students in general. But they said that a 21-year-old’s having developed the disease so early raised the possibility that it played a role in his death, and provided arresting new evidence that the brain damage found in N.F.L. veterans can afflict younger players.

Thomas never had a diagnosis of a concussion on or off the football field or even complained of a headache, his parents said, although they acknowledged he was the kind of player who might have ignored the symptoms to stay on the field. Because of this, several doctors said, his C.T.E. — whose only known cause is repetitive brain trauma — must have developed from concussions he dismissed or from the thousands of subconcussive collisions he withstood in his dozen years of football, most of them while his brain was developing.

The idea that C.T.E. can stem from hits below the level of concussion — which are endemic to football and all but impossible for doctors to see or manage — is relatively new. Ever since C.T.E. in professional football players began making national headlines in early 2007, it has generally been ascribed to mistreated or at least cumulative concussions, for which awareness and education can be an antidote.

The diagnosis in Thomas’s case was independently confirmed by Dr. Daniel Perl, a professor of pathology at Uniformed Services University of the Health Sciences, the medical school for the United States military.

“It’s not unreasonable that aspects of his behavior were related to the underlying brain disease that was detected,” said Dr. Perl, adding that he was speaking as an experienced neuropathologist and not on behalf of his organization. “This is real.”

He added, “This is a call for a broader range of research into this problem that extends beyond the heavy duty N.F.L. level of athletics.”

Thomas is the youngest and first amateur football player to be found with clear C.T.E., which is linked with cognitive impairment, depression and ultimately dementia. One 18-year-old former high school player who died two years ago, and whose name has been withheld by the Boston University researchers at his family’s request, had only incipient traces of the disease.

Thomas’s parents, the Rev. Tom Thomas and the Rev. Kathy Brearley, requested that their son’s case be made public to educate other families about the possible and perhaps addressable risks of football at all levels. About 1.4 million children ages 14 to 18 play high school football every fall, and about three million others play in youth leagues at younger ages.

Thomas’s parents emphasized that they did not hold responsible the University of Pennsylvania specifically or their son’s youth and high school programs in South Whitehall Township, which is outside Allentown. They also said they were not considering legal action.

“This is an issue beneath the N.F.L. level,” Mr. Thomas said. “I want people to take this seriously.”

Sitting with her husband on the porch that overlooks the yard where Owen once played, Ms. Brearley added, “We have to think of different options that can take a hearty, meaty, great contact sport but minimize the risk to young people.”

Owen Thomas was the second Penn player to commit suicide in five years; running back Kyle Ambrogi killed himself in 2005. The university will honor Thomas at a ceremony before Penn’s opening home game against Lafayette on Saturday. He had been elected one of the team’s captains before he died.

“Obviously this is a contact sport — could this happen? Absolutely,” said Penn Coach Al Bagnoli, noting how Penn trainers never clear a player with a concussion to return until he withstands appropriate medical scrutiny. “Do people take as many precautions as we can? Absolutely.”

Before Thomas, 21, the youngest player who previously received a diagnosis of C.T.E. was Chris Henry, 26, a Cincinnati Bengals receiver who died in December during a domestic dispute in which he appeared to jump from the back of a moving pickup truck. The only previous non-N.F.L. player with a clear case of C.T.E. was Mike Borich, a former Western Illinois receiver who died in February 2009 after a drug overdose at 42.

The Thomas case will almost certainly prove more arresting to those assessing the long-term risks of football at all levels, as he had developed the disease before leaving college and, for reasons that remain unknown, developed severe depression and killed himself.

“It’s pretty hard to make a jump with one case,” said Dr. James Moriarity, the University of Notre Dame’s head physician, who oversees the athletic department’s medical care. “But if it’s true that that happened, it would kill the sport,” he said, referring to an amateur player getting C.T.E. “As a parent, it’s going to be hard to justify kids going out and doing that.”

Owen Thomas was a third generation college football player. His grandfather Frank Thomas played for Millersville (Pa.) University in the 1930s, and his father played four years at the University of Virginia in the late 1960s.

Owen started playing at age 9 and relished football’s physicality.

“He loved to hit people,” his mother said. “He loved to go into practice and hit really hard. He loved to intimidate. It’s kind of sad. We all love football. We all love watching. We all love these great hits.”

Thomas played three seasons at Parkland High School, talented enough at linebacker and tight end to often play every down of every game — even blocking on punts and kickoffs, one of his favorite responsibilities. He was bright enough to be admitted to Penn’s Wharton School of Business, one of the best undergraduate business programs in the country. He played freshman football and then started the last two seasons on the varsity, earning second-team all-Ivy League honors in 2009 and helping lead the Quakers to the Ivy title.

Dr. Robert Stern, a director of the Boston University group, said the identification of factors like genetics would probably someday explain why some people develop C.T.E. while most do not. Thomas’s case, he said, proves that the disease can begin, and perhaps influence behavior, among football players below the N.F.L. level.

“We don’t know if it’s a specific age, we don’t know if it’s a cumulative number of years of exposure to head trauma, we don’t know what combination of hits to the head set this disease in motion,” Dr. Stern said. “These are critical issues that need to be answered in order to help guide any dramatic policy changes and individual decisions down the road.”

Dr. Stern and other experts in the field emphasized that C.T.E. could not be blamed solely for a person’s suicide. But some of the clues left from Thomas’s case, they said, suggested that the damage in his brain might have exacerbated his sudden depression and compromised his ability to think clearly about his actions.

Thomas left no note and still had his cellphone in his pocket — which his mother said indicated that he was acting on impulse, not forethought.

Dr. Perl said that although links were easy to make in hindsight, lack of impulse control is a consistent manifestation of how executive function can be compromised by C.T.E.’s neurofibrillary tangles and tau protein formations in the frontal lobe of the cerebral cortex. Dr. Perl added that C.T.E. typically impaired a person’s short-term memory — which in a college student approaching exams would be harrowing — but that the relatively mild C.T.E. in Thomas’s hippocampus did not suggest severe memory problems, though that was possible.

Ms. Brearley said she would never know the root of her son’s actions, but the C.T.E. diagnosis gave her solace, if not a solution.

“It gives me some peace in my heart to think this is a missing piece of a jigsaw puzzle,” she said.

Thomas’s parents said they wanted to share his story to warn other families of young football players that C.T.E. and all of its still-unknown ramifications were no longer confined to the N.F.L. In this respect, Owen Thomas will probably become amateur football’s counterpart to Andre Waters, the former hard-hitting Philadelphia Eagle whose suicide in 2006 catalyzed much of the awareness of head injuries in the N.F.L.

Mr. Thomas said he recalled the day he read about Waters’s brain damage in a newspaper. He also remembered what he had thought ever since: “Thank goodness that’s only the N.F.L. — it can’t happen to Owen.”

23/04 Bishop, 73, in Belgium Steps Down Over Abuse

April 23, 2010
Bishop, 73, in Belgium Steps Down Over Abuse
By ELISABETTA POVOLEDO
ROME — The longest-serving bishop in Belgium resigned Friday after admitting to sexually abusing “a boy in my close entourage” many years ago, becoming the latest cleric to quit in a spreading abuse scandal.

The development added to a corrosive catalog of disclosures that has damaged the credibility of the Roman Catholic Church and shaken the trust of many believers in their spiritual leaders.

In a statement issued by the Vatican on Friday, Roger Vangheluwe, 73, the bishop of Bruges since 1985, said that the abuse had occurred “when I was still a simple priest and for a while when I began as a bishop.”

“This has marked the victim forever,” he said.

The bishop said that he had asked the victim and his family several times to forgive him, but that the wound had not healed, “neither in me nor the victim.” A recent media storm merely deepened the trauma, he said. “I am profoundly sorry,” he said.

This week, in a rare public comment directly addressing the issue of abuse, Pope Benedict XVI promised that the church would take action to deal with the crisis.

Bishop Vangheluwe is the first Belgian bishop to step down since the abuse scandal began to erupt in recent months in several European countries. Bishops elsewhere have resigned, though. On Thursday the church authorities in Germany said that Bishop Walter Mixa, one of the country’s most prominent and outspoken conservative clerics, had tendered his resignation after being accused of beating children decades ago.

On the same day, the Vatican said the pope had accepted the resignation of Bishop James Moriarty of Kildare and Leighlin, Ireland. Bishop Moriarty had been cited in an Irish government report on the mishandling and concealment of cases of priestly abuse.

Most bishops who have quit have done so because they were accused of covering up accusations against priests under their authority. While not as common, several bishops before Bishop Vangheluwe have been personally accused of abuse.

Several American bishops have stepped down in the wake of allegations of sexual abuse or assault. So have a Norwegian bishop, Georg Mueller, who resigned last May, and an Austrian cardinal, Hans Hermann Groer, who resigned in 1998.

Bishop Vangheluwe’s statement was also read to reporters at a news conference in Brussels by Archbishop André-Joseph Léonard, who called Bishop Vangheluwe a “generous and dynamic bishop,” but said that his transgression would shock many.

“We are aware of the crisis of confidence his resignation will set in motion,” Archbishop Léonard said. But he stressed that the Catholic Church in Belgium was determined to “turn over a leaf from a not-very-distant past when such matters would pass in silence or be concealed.”

The resignation came 10 years after the church in Belgium set up a commission to look into complaints of abuse that frequently seemed at loggerheads with the church leadership.

Archbishop Léonard acknowledged in an Easter homily this year that as the Vatican leadership confronted persistent accusations of abuse, “the reputation of church leaders was given a higher priority than that of abused children,” The Associated Press reported.


Alan Cowell contributed reporting from Paris.


This article has been revised to reflect the following correction:

Correction: April 23, 2010


An earlier version of this article misstated the year in which Roger Vangheluwe became bishop of Bruges. He became bishop in 1985, not 1984.

Victims Angry as Belgium Responds to Church Abuse

September 13, 2010
Victims Angry as Belgium Responds to Church Abuse
By STEPHEN CASTLE
BRUSSELS — The leader of the Roman Catholic Church in Belgium on Monday acknowledged the scale of the scandal that had engulfed the country over sexual abuse by priests and promised to do more for the victims, but he offered few short-term solutions and said little of substance about further pursuing the abusers.

The church leader, Archbishop André-Joseph Léonard, said at a news conference that suffering had caused a “shiver” to run through the church, but that it was too soon for a detailed response to the crisis. The extent of the abuse was revealed in a report published Friday.

The lack of more comprehensive steps was greeted with anger by representatives of victims, with one lawyer calling the church’s response “scandalous.”

The one concrete announcement from the archbishop was that the church in Belgium would set up a new center for victims to focus on “recognition, reconciliation and healing,” which is likely to open at the end of the year.

That effort follows the release of the 200-page report on Friday, compiled by an internal commission set up by the church, which included harrowing testimony from victims and said that one had been abused from the age of 2. Thirteen people are thought to have committed suicide as a result of abuse, the report said.

The internal commission, led by Peter Adriaenssens, a prominent psychiatrist, decided to wrap up its work after the police carried out a series of high-profile raids on church property in June. In one raid, the police searched the church offices in Mechelen, disturbing the tomb of a cardinal in an unsuccessful hunt for proof of a cover-up. Belgium’s Court of Appeal has since ruled that documents seized in such raids should not be admissible in any trial.

By holding Monday’s news conference, the church appeared to be acknowledging the task it faces in re-establishing trust among a Belgian population shocked by revelations that abuse stretches back decades.

Belgium is the country in which the secular authorities have stepped most forcefully into the Roman Catholic Church’s abuse scandal.

Though there was no direct apology to the victims on Monday, the archbishop expressed anger and alarm over the scandal and promised to engage with the victims as much as possible.

“We must listen to their questions to re-establish their dignity and help them to heal the suffering they have endured,” Archbishop Léonard said.

But there was no clear proposal for pursuing the abusers or for compensating their victims, resulting in disappointment for some of the groups representing those affected. Most of the wrongdoing took place more than 10 years ago, past the statute of limitations for legal prosecution.

“I have had some reaction from my clients — 35 victims — all of them were very, very angry with this scandalous reaction,” said Walter Van Steenbrugge, a lawyer representing some of the abuse victims. “We were thinking they were ready to pay the costs of all the therapy the victims needed in all these years.”

Instead, the response was “very, very disappointing,” Mr. Van Steenbrugge said, adding that his clients would pursue civil cases against the church.

Lieve Halsberghe, who represents a victims’ group called Human Rights in the Church, said: “They are reading from a script. They are promising that they are going to do things, but we don’t see anything concrete.”

She continued: “We want the guilty to be punished, and we want the story dug out so every victim has justice. There are perpetrators out there who have not confessed and not admitted that they have done wrong. They are psychologically terrorizing their victims.”

The group wants any new structure aimed at helping victims to be independent of the church. Some abuse victims will want compensation, Ms. Halsberghe said, while others will not.

Mr. Van Steenbrugge and Ms. Halsberghe criticized the archbishop’s call for a dialogue with the legal authorities as well as with victims. This, they suggested, could threaten the independence of the judicial process.

The scandal became public when the former bishop of Bruges, Roger Vangheluwe, resigned in April after admitting that he had abused a boy later revealed to be his nephew. Former Bishop Vangheluwe said Saturday that he would leave the Trappist monastery where he had been living and go into hiding.

Protected from prosecution by the statute of limitations, the former bishop has faced increasing calls to give up his status as a priest. Archbishop Léonard said it was for the Vatican to decide on any punishment.

The Rev. Federico Lombardi, the Vatican spokesman, said the pope had already accepted former Bishop Vangheluwe’s resignation, and since the bishop had already left the diocese and the ministry, he was “no longer involved” in the local church. “He has retired to prayer and penitence,” Father Lombardi said.

Father Lombardi said that as far as he knew, no official request had been made to the Vatican to defrock Bishop Vangheluwe.


Elisabetta Povoledo contributed reporting from Rome.

Rape: Rights Group Calls Test to Determine Sexual Activity a ‘Second Assault’ in India

September 13, 2010
Rape: Rights Group Calls Test to Determine Sexual Activity a ‘Second Assault’ in India
By DONALD G. McNEIL Jr.
An international human rights group urged India last week to ban a “degrading and unscientific” test commonly performed on rape victims to see if they have previous sexual experience.

In the test, a doctor inserts fingers into the victim during the forensic examination to test for “vaginal laxity” and is expected to deliver a medical opinion as to whether she appears to be “habituated to sexual intercourse.” The group, Human Rights Watch, argued that the test constituted a second assault on a traumatized woman.

The test is required by courts in some Indian states — including those of Delhi and Mumbai, the national and financial capitals — and, according to local reports, is in the forensic examination still endorsed by the Indian Medical Association.

In most democracies, whether or not a woman has ever had sex before is considered irrelevant in deciding whether she consented to the act under consideration. In 2003, India’s Supreme Court ruled that victims could not be cross-examined on their general moral character, Human Rights Watch said. But it has not ensured that its decision is enforced, and references to those who allege rape as “dissolute” or “of doubtful character” still appear in court rulings.

World Health Organization guidelines calls for victims of sexual violence to get health care at the same time as the forensic examination and from the same person, and for minimally invasive examinations.

Delicious Ways to Love Downtown Los Angeles

September 8, 2010
Delicious Ways to Love Downtown Los Angeles
By JENNIFER STEINHAUER
Monica Almeida/The New York Times
When Joshua Smith, the chef at Church & State, gets involved with potatoes or pigs, he scores. The two-year-old restaurant can attract a raucous dinner crowd. More Photos »


DOWNTOWN Los Angeles has been “reviving” for the better part of 20 years.

The seed may have been planted in 1988, with the naming of Frank Gehry as the architect for Walt Disney Concert Hall — a civic commitment to return downtown to its early 20th-century glory days, when it was a hubbub of activity rather than a place to flee come sunset. Revitalization continued in the 1990s, with rezoning laws that allowed for the transformation of old warehouses into sleek lofts.

In recent years, the openings of the Grammy Museum and a Ritz-Carlton, as well as the philanthropist Eli Broad’s unwavering focus on Grand Avenue as a cultural destination, have hastened the otherwise glacial pace of downtown redux.

There have been barriers: a large and intransient homelessness problem, the recent credit crisis that left some developers in the lurch, and the physical nature of downtown, enveloped in a sea of freeways that make it feel cut off from large swaths of the rest of this city. Yet downtown Los Angeles is now genuinely a place where people want to live and travel to for art fairs, music festivals, basketball games and more.

But, until recently, not to eat.

Yes, there is Little Tokyo, where I have sat in silent awe of the fish at Sushi Gen, and the occasional historic spot, like Philippe the Original, which makes claims on inventing the French dip. But true destination restaurants have been few.

That, too, is changing, with smart new bistros emphasizing creativity and local produce; hidden bars; and cheap-but-chic fare springing up from points east and west. An increasing number of intrepid diners are venturing a few miles east on the 10 Freeway toward the contemporary response to years of suburbanization and sprawl that led to downtown’s descent years ago. And they will now be well fed.

Lazy Ox Canteen

Huh? That was my first reaction as I slid my quarters into the parking meter a block away from this gastro-pub, its sign barely distinguishable. Sitting on the edge of Little Tokyo, the restaurant occupies a stretch of South San Pedro Street that feels slightly deserted, like a toy factory at night. But once I slipped into my seat at the handsome wooden bar (which is where I suggest you plant yourself) and ordered up one of the many great rosés on offer by the glass, a warm, fun feeling began to flow.

The staff here is extremely knowledgeable about the finer points of each goody coming from the kitchen of the chef, Josef Centeno, which is impressive, considering how numerous and eclectic they are. My dining companion and I started with breakfast in a shell — a coddled egg bathed in maple syrup, crème fraîche, Cream of Wheat and tiny bits of pancetta — a dish the bartender assured us took the skill set of a mason to assemble.

Next up was braised beef tongue ravioli with toasted pine nuts, dried chilies and spiced lebni, a kind of tangy yogurt — almost unbearably seductive. Ditto ricotta fritters with saffron honey. My guest, who claimed to dislike anchovies, was won over by the ones marinated with piquillo peppers, and proclaimed them “like an oyster” — which is sort of like comparing Lindsay Lohan with Audrey Hepburn, but I saw where he was going. We finished the evening, staring hazily at the crowd — youngish, appropriately hairy of the face — and polishing off a blue- and blackberry crumble.

Lazy Ox Canteen, 241 South San Pedro Street; (213) 626-5299; lazyoxcanteen.com. $70. (All prices are for an average meal for two, without drinks or tip.)

WP24 at the Ritz-Carlton

Wolfgang Puck is to modern dining in Los Angeles what the bikini is to its beaches — you can’t have one without the other. Spago in Beverly Hills remains a premier lunch spot, and without Mr. Puck, the city may never have known the joys of goat cheese. At his latest venture, on the 24th floor of the Ritz-Carlton hotel, Mr. Puck is making use of his occasional proclivity for Asian fusion with a high-end take on Hong Kong dining.

“I expected to make the best modern Chinese restaurant,” he said in an e-mail, “with great food, a great wine list and great service.”

At WP24, you first enter the bar, where couples sit whispering to each other over elderflower cocktails, and dudes in T-shirts tap away on MacBooks while downing dumplings, high above the neon and illuminated freeways. The bar scene fades away as you pass through padded doors into the formal dining room, in muted shades, and settle into a leather chair for dinner, still taking in the panoramic view of Los Angeles, which is an unusual restaurant vista here. At a large table in the center of the room, servers carve up Peking duck and other dishes.

Start with a refreshing umami cocktail (plum, cucumber and gin). Skip the shrimp dumplings and go for a tasting of dim sum, then move to sea bass in a salt crust and maybe a hot pot of slow-cooked beef cheeks, decadent and deeply flavorful. The pistachio cherry fondant was good, but I returned with my husband on another night just for the marjolasian, essentially a high-end Twix bar, because I couldn’t get it out of my mind.

WP24 at the Ritz-Carlton, 900 West Olympic Boulevard; (213) 743-8824; wolfgangpuck.com. $140.

Church & State

Since it opened almost two years ago, food enthusiasts have been quite gaga over this bistro, set among a cluster of sketchy industrial blocks. And, indeed, there is much to like. Start at the lively and evocative bar and the restaurant’s extensive and exciting wine list, which includes roughly two dozen pours by the glass. Cocktails are equally numerous and judiciously balanced, like the sublime basil avec concombre, a gin-based concoction.

Back in the kitchen, when the chef, Joshua Smith, gets involved with potatoes or pigs, he scores. The salade d’harengs is a lovely combination of smoked herring and fingerling potatoes, and the best thing about the veal skirt steak stroganoff is the accompanying roasted potatoes. Pigs’ ears are another fun option. Avoid the ratatouille; in general it’s best to hew to menu items that seem vaguely Scandinavian over the traditional French choices.

The dining room could use some work: At night, the din would deafen all but denizens of glam-rock reunion tours. One night a friend and I found the service almost a parody of faux French snootiness (the waiter never even offered us a drink). Go anyway. But try lunch if you can, when the room is quieter (though still filled with diners) and bathed in beautiful Los Angeles afternoon light. Have a pan-seared skate wing and a glass of riesling, and let your mind wander to the neighborhood’s industrial past.

Church & State, 1850 Industrial Street; (213) 405-1434; churchandstatebistro.com. $60.

Rivera

Sleek and modern, with low, comfy chairs and bullfighting images on monitors, Rivera bills itself as contemporary Latin cuisine, near the Staples Center in the heart of downtown. Tequila is the tipple of choice here — the menu boasts rare and interesting selections, as well as a very affordable list of Spanish and Portuguese wines. Cocktails are also tasty — you will order a “Blood sugar sex magic” (an homage to the band the Red Hot Chili Peppers, teaming red peppers with rye and basil) because — well, do I really need to explain?

The tortillas with rose petals were a savory highlight, as was the house specialty, paper thin jamón Ibérico — the foie gras of hams — served on toast. An appetizer of quail bathed in a paprika sauce is bright and delicious, served on a plate bearing an image of a skull — a cheeky touch. This is Los Angeles, so there must be Jidori chicken, from a local purveyor of super fresh birds, cooked here with a Spanish peanut salsa.

Skip dessert, with one exception: Remember, in the movie “Wag the Dog,” when William H. Macy said, “There’s no difference between good flan and bad flan”? He clearly hadn’t tried Rivera’s.

Restaurants in Los Angeles generally reflect their neighborhoods, but this place attracts a mixed crowd of people headed for LA Live, the entertainment complex downtown: women in skirts that are shorter than their mothers would like, and, on the night we were there, a table of makeup artists — one sporting a bee hive — celebrating around a very large, bar-like table. Sit at the bar, stick to snacks and cocktails, and take in the scene.

Rivera, 1050 South Flower Street, No. 102; (213) 749-1460; riverarestaurant.com. $80.

Starry Kitchen

Everyone loves a restaurant back story, and Starry Kitchen’s isn’t bad. Nguyen and Thi Tran were running an underground restaurant in North Hollywood, sending out invitations on the down low to guests who would partake in their varied Asian dishes, paying at a card table set up with a cash box. Now, the married couple have gone legit in a big way, operating out of a food court in the center of a complex of office buildings downtown, happily near the Museum of Contemporary Art.

Mr. Tran works the front of their little space, alerting visitors in a profanity-laced speech the second they enter that the menu changes all the time — save for the lemon grass chicken with ginger, which he claims is only for the frightened and the weak. (Actually it’s quite good, especially when paired with scallion-laced rice.) You pick a protein, a vegetable and a side dish, and a presentation (wrap, bowl, etc.), and it all comes out in a jiffy. The Japanese sesame fried chicken was a good choice, too, but who knows if it will be on the menu when you go. That, of course, is part of the fun.

Starry Kitchen, 350 South Grand Avenue; (213) 617-3474; starrykitchen.com. $18.

Monday, September 13, 2010

06/09 Những bà mẹ quyền lực trong thế giới blog

Tác giả: Dave Lee & Snezana Curcic
Bài đã được xuất bản.: 06/09/2010 06:00 GMT+7

Họ có hàng nghìn người và mỗi phát ngôn trên mạng của họ đều là "lời vàng ý ngọc" đối với rất nhiều người khác. Đó là "mummy blogger" - những bà mẹ viết blog về các vấn đề xoay quanh cuộc sống gia đình.

Đội quân hùng hậu

"Mummy blogger" mang đến cho các bà mẹ mạng hỗ trợ và tranh luận; cho các hãng quảng cáo công cụ quảng cáo phổ biến, tin cậy với chi phí hợp lý.

Trong chiến dịch marketing cho bộ phim mới về gia đình mang tên Despicable Me, lần đầu tiên hãng Universal Pictures bổ sung truyền thông xã hội vào các phương pháp quảng cáo truyền thống. Họ nhắm tới những người yêu thích Facebook, Twitter và cũng là những ông bố, bà mẹ viết blog nổi tiếng ở Mỹ.

Chị Jennifer Donovan làm nội trợ ở Connecticut đã có thâm niên sáu năm viết blog. Chị được Universal Pictures tài trợ vé máy bay tới Los Angeles, sắp xếp nghỉ trong khách sạn cao cấp Four Seasons và tiếp xúc với các ngôi sao Hollywood như Steve Carrell, Miranda Cosgrove, Julie Andrews cùng nhà sản xuất phim.

Có lẽ không có gì ngạc nhiên khi chị viết blog phản hồi rất tích cực về bộ phim.

Trả lời phỏng vấn chương trình BBC World Service's Digital Planet (Hành tinh số), chị cho biết: "Phải thích bộ phim từ trước tôi mới có thể viết một bài cảm nhận dài hơi như vậy. Còn nếu chỉ vì nhận lời mời của hãng, cảm xúc của tôi đã không dồi dào đến thế."


"Quyền lực" của các "mummy blogger" đã được khai thác trong lĩnh vực quảng cáo, PR
Đối với hãng sản xuất, chi phí cho Donovan là xứng đáng. Giám đốc marketing mạng Internet và di động của Universal Pictures, ông Doug Neil đã thẳng thắn trao đổi về mục đích của công ty: "Chúng tôi tin rằng những ông bố bà mẹ viết blog có sức ảnh hưởng rất lớn. Họ có thể quảng bá bộ phim tới các độc giả trên mạng và "cộp" mác đảm bảo đó là một bộ phim lành mạnh dành cho gia đình."
"Các nhà phê bình vẫn quan trọng, nhưng ở nhiều bộ phim vai trò của họ giảm đi khi truyền thông xã hội đang thế chân tiếp cận người xem. Chúng tôi nhận thấy cộng đồng blog có ảnh hưởng rất lớn khi họ nói về những bộ phim mà họ thích hoặc cho rằng nên xem."

Những con người thực trong thế giới ảo


Giống như các trào lưu khác trên mạng, những gì bắt đầu ở Mỹ cũng sẽ lan tới Anh.


Những chuyến đi biển miễn phí không đồng nghĩa với việc viết blog sai lệch
Linda Jones bắt đầu viết blog dành cho gia đình từ năm 2005 trên trang web cá nhân gotyourhandsfull.com, trong đó cô tập trung vào vấn đề nuôi dạy trẻ sinh đôi, sinh ba hoặc nhiều hơn nữa. Hiện nay cô viết blog trên trang havealovelytime.com về những chuyến đi và kỳ nghỉ với con cái. Gia đình cô thường được các công ty lữ hành mời nghỉ tại resort và tham gia các hoạt động du lịch.

Linda từng được mời tới Florida và Bahamas nhưng theo cô, du lịch miễn phí không đồng nghĩa với những bài viết tích cực nếu thực tế kỳ nghỉ đó không tốt đẹp. "Trên blog tôi luôn nói rõ đó là bài viết với mục đích PR hoặc kỳ nghỉ có tài trợ. Bạn có thể gặp những lời chê nhưng mang tính chất xây dựng. Chẳng hạn, mấy tuần trước tôi đi nghỉ ở Eurocamp và nói rằng sẽ rất thất vọng nếu phải trả tiền cho kỳ nghỉ đó - và tôi cũng viết như vậy trên blog."

Cô cho rằng tính minh bạch là điều tối quan trọng để giữ lòng tin của độc giả, vì "Blogger được coi là những con người thực."

Tôi đang viết PR đây!

Tại Mỹ, quan tâm quanh vấn đề đạo đức và tính hợp pháp của các bài blog đằng sau sản phẩm hoặc dịch vụ đã khiến Ủy ban thương mại liên bang (FTC) phải vào cuộc. Cụ thể, FTC mới đây đã bổ sung sửa đổi luật quảng cáo trong đó quy định các blogger phải nói rõ mối quan hệ của họ với các hãng quảng cáo.

Patrick Ruddell, một trong những "daddy blogger" (ông bố viết blog) cho rằng sức hấp dẫn của đồng tiền có thể dẫn tới làn sóng các bài viết khen ngợi sản phẩm. "Họ ngồi nhà, viết blog và có một nguồn thu nhập tốt từ blog. Vì vậy khi có sự tham gia của đồng tiền thì rõ ràng nội dung bài viết cũng bị tác động. Người ta không trả tiền cho bạn để bạn nói xấu về công ty hoặc sản phẩm của họ."

Tại Anh, tuy không có hướng dẫn hoặc quy định chính thức nào đối với các "mummy blogger" về việc công khai quan hệ với các hãng tài trợ, nhưng đa phần vẫn cam kết thực hiện điều này. Tôn chỉ của họ là tuyệt đối minh bạch.

Susanna Scott, một "mummy blogger" người Mỹ tại Anh cho biết: "Tôi dùng thử một chiếc máy hút bụi, tôi thấy thích và viết bài về chiếc máy đó. Nhưng tôi viết và nói rõ rằng đây là bài viết có nhuận bút."


Tôn chỉ khi viết blog PR là sự minh bạch

Ở đầu trang blog, Susanna đăng tin về "British Mummy Bloggers Do It With Integrity ("Mummy blogger" Anh viết bài bằng sự minh bạch) - chiến dịch thúc đẩy tính minh bạch và công khai do các blogger khởi xướng. "Chiến dịch này xuất phát từ hướng dẫn của FTC tại Mỹ. Chúng tôi là người đi sau và có thể rút ra bài học từ kinh nghiệm từ người đi trước."

Susanna cũng cho biết bà đã từng gửi trả lại sản phẩm cho hãng tài trợ khi cảm thấy không phù hợp để viết bài. "Còn việc minh bạch quan hệ là rất quan trọng. Nếu một blogger làm việc với một nhãn hiệu, bạn cần nói rõ với độc giả vì họ có quyền được biết."

Hoài Thu dịch theo BBC

04/09 Những trang web "đọc vị" sở thích của bạn

Tác giả: Sarah Kessler
Bài đã được xuất bản.: 04/09/2010 06:00 GMT+7

Bạn có tin không, Internet biết những gì bạn thích và hiểu điều bạn cần. Nếu còn hoài nghi, hãy khám phá 7 trang web dưới đây và tự tìm ra câu trả lời.

Barry Schwartz đã chỉ rõ trong cuốn sách The Paradox of Choice (Nghịch lý chọn lựa) của mình rằng "lựa chọn không giới hạn" có thể dẫn đến khổ đau.

May thay, Internet thật sự biết những gì bạn muốn - hay ít nhất các dịch vụ giới thiệu sử dụng thuật toán algorit trên Internet cũng đang cố gắng tìm hiểu điều đó. Bảy trang web dưới đây sẽ giúp rút gọn danh sách dài dằng dặc những lựa chọn thuộc nhiều lĩnh vực khác nhau dựa trên sở thích của chính bạn.

1. BuzzVoice


Mặc dù người máy không thể chạy được các chương trình tin tức nhưng chắc chắn chúng có thể đọc tin. BuzzVoice là bước đầu tiên trong quá trình biến việc đọc trở thành lỗi thời.
Người dùng lựa chọn nguồn tin từ các trang web mình muốn đọc. Các máy nghe nhạc cá nhân - có khả năng truyền dữ liệu trên trang web, trên máy nghe nhạc MP3, thông qua iPhone hoặc trên iPad - sẽ lựa chọn những bài báo từ chức năng RSS feed của các nguồn này và đọc chúng cho bạn nghe. Những chiếc máy này thực hiện chức năng gần giống Đài phát thanh nhưng lại được điều chỉnh phù hợp với sở thích của bạn mà không cần tác động của con người.

2. Jinni

Trước khi Netflix - một trang web cho thuê đĩa DVD và Blu-ray trực truyến - ra đời, có lẽ bạn đã từng bước vào một cửa hàng cho thuê đĩa tại địa phương và hỏi những câu như: "Tôi đang muốn xem một bộ phim lãng mạn nhưng nhẹ nhàng, có sự xuất hiện của Vince Vaughn chẳng hạn". Chủ cửa hàng sẽ trả lời: "Có thể anh sẽ thích bộ phim Swingers".

Giờ thì bạn có thể hỏi Jinni. Trang web này phân loại phim theo các tiêu chí như tâm trạng, thời gian, địa điểm, thời kì và nội dung. Quá trình chọn lựa được gọi là "dự án di truyền điện ảnh". Người dùng tìm kiếm và duyệt theo các tiêu chí này, sau đó trang web sẽ đưa ra gợi ý dựa trên sở thích của người dùng.





3. BookLamp


Bạn có muốn sở hữu một phiên bản rút gọn của cuốn Chiến tranh và Hòa bình không? Nếu BookLamp tiếp tục phát triển như dự định, bạn sẽ có thể tìm một quyển sách bao gồm các yếu tố văn phong tương tự phong cách cổ điển của Tônxtôi về bối cảnh, đối thoại, mức độ miêu tả, nhịp độ và mật độ, nhưng lại chỉ mất 4 tiếng để đọc hết.
Hiện nay, trang web vẫn tự gọi mình là "phép chứng minh công nghệ" và chưa phân tích đủ phong cách viết của các cuốn sách để có thể sử dụng làm dịch vụ giới thiệu. Tuy nhiên khi đã đăng kí thành viên, bạn có thể yêu cầu thêm vào cơ sở dữ liệu cuốn sách hay tác giả yêu thích của mình.

4. Cookthink

Bạn đang thèm "điên cuồng" một món ăn, nhưng lại chẳng biết nấu thế nào. Cookthink sẽ giúp bạn tìm kiếm công thức nấu ăn từ các blog ẩm thực, tác giả viết sách nấu ăn và các tạp chí bằng cách kết hợp nguyên liệu, món ăn, cách nấu và tâm trạng. Đó gọi là "dự án lập kế hoạch ẩm thực"





5. Worio


Worio (viết tắt của Web of Search-rio, nghĩa là Trang web tìm kiếm) cung cấp thêm cho người dùng các công cụ tìm kiếm yêu thích bằng một công cụ tìm kiếm nâng cao duy nhất. Các kết quả tìm kiếm thông thường từ công cụ tìm kiếm được chọn sẽ xuất hiện ở khung bên trái. Còn khung bên phải là kết quả sử dụng từ khóa của công cụ tìm kiếm cơ bản và lịch sử tìm kiếm của người dùng, kết quả này sẽ đưa ra những trang liên quan đến sở thích của người dùng. Trang web hoạt động dựa vào tag dẫn tới trang web mà người dùng tìm kiếm. Ngoài ra người dùng còn có thể tạo một thư viện dữ liệu tag, tải xuống một ứng dụng trên Facebook hoặc xem thư viện dữ liệu của bạn bè.
6. Bee.tv


Lướt web thường được coi là một hoạt động lười biếng. Nhưng hiện nay, cùng với những lựa chọn trên TV, video trực tuyến, các nền tảng download số và thậm chí là điện thoại di động, lướt web trở thành một công việc thật sự. Bee.tv giống như một trợ thủ đắc lực trong "công cuộc" lướt web.
Trang web đưa ra gợi ý về các chương trình TV hay phim ảnh dựa trên thiết bị bạn đang dùng cũng như sở thích của bạn. Trang web này không chỉ cho phép bạn lọc kết quả dựa trên bảng xếp hạng phim, thể loại phim, phim HD và nội dung có miễn phí hay không mà còn cung cấp cho bạn lịch phát sóng trên truyền hình.

Trang web hiện đang chạy thử, ứng dụng miễn phí đã xuất hiện tại cửa hàng iTunes trực tuyến.

7. Apollo News


Năm ngoái, trước khi iPad xuất hiện trên thị trường, tập đoàn Time Inc. vừa cho ra mắt một tạp chí cá nhân hóa thử nghiệm trên giấy cũng như trực tuyến. Apollo News là một ý tưởng tương tự. Nó là một ứng dụng dành cho iPad có chức năng giống như một tờ báo đã được cá nhân hóa.
Người dùng tự tạo ra một tạp chí xuất bản định kì tùy chỉnh theo sở thích của mình. Thuật toán của ứng dụng này mang đến nội dung phù hợp với sở thích của người dùng bằng cách sử dụng các tiêu chí như số lượng thời gian người dùng dành để đọc những bài báo hay những trang web nhất định, những bài báo mà người dùng thích hoặc ghét, những bài báo mà người dùng có nhắc đến trên các phương tiện truyền thông xã hội, cùng những thị hiếu tương tự của người dùng.

Linh Giang dịch theo Mashable.com

Saturday, September 11, 2010

Mai Phương Thúy dành tình yêu đặc biệt cho phụ kiện nào?


hứ bảy, 11/09/2010 00:10

(2Sao) - Bạn có đoán được ra không?

Hoa hậu đặc biệt yêu thích phụ kiện là hoa tai tròn, sát tai. Cô nữ sinh trường RMIT này tận dụng triệt để vật dụng yêu thích này trong tất cả các dịp từ ngày thường, chụp ảnh thời trang cho đến dạ hội. Mai Phương Thúy hiện đang sở hữu một bộ sưu tập hoa tai khổng lồ với nhiều màu sắc sặc sỡ, cô cũng rất khéo léo trong việc kết hợp giữa màu sắc và kiểu dáng hoa tai với từng bộ trang phục cũng như khung cảnh xuất hiện của mình.

Friday, September 10, 2010

07/09 At Fashion Week, It’s Where You Sit That Counts


By ERIC WILSON

Bright and early Monday morning (Labor Day, though you wouldn’t know it), every seat in the offices of the fashion publicist Paul Wilmot was filled with a young account executive whose holiday weekend was being disrupted by the mechanics of New York Fashion Week, which begins on Thursday. At one table, the designer Naeem Khan was personally overseeing, with a team of three publicists, where each of the 872 guests will sit at his runway show on Sept. 16 at Lincoln Center.

Dennis Valle
At a Dolce & Gabbana show in Milan last year, an assortment of old and new media types in the front row: from left, Suzy Menkes, Michael Roberts, Bryan Boy, Sally Singer, Anna Wintour, Hamish Bowles, and Tommy Ton of the blog Jak and Jil.


Only 104 of them will be in the front row.

“The front row is such a trauma,” said Mr. Khan, who will surely draw more eyes to his show since he dressed Michelle Obama for that infamous party-crashed state dinner last November. “I can’t have people coming backstage, crying, ‘I’m in the second row.’ ”

So each seat on a chart before him was color coded for news media members (blue, about half the audience), retailers (green, maybe a quarter), friends (purple, 100 or so) and celebrities (pink, at least a dozen, front and center). Some seats were requested by cast members of “Entourage,” but who knows if they will really show up.

Complicating matters for designers and their publicists as they hurtle through preparations for some 300 shows over 8 days is the fact that last season’s seating charts have had to be thrown out. In addition to the usual wrangling of seats for celebrities (Blake Lively, Claire Danes and Julianne Moore are the usual suspects, but Snooki would probably be welcome by now), and finding new seats for popular bloggers, there has been a stunning upheaval amid the ranks of traditional glossy magazines this season that is making it hard to figure out just where to place the most important editors, without offending them.

Since the industry last convened for its twice-yearly convention of clothing, in February, no fewer than 30 longstanding cast members have changed jobs, baffling those whose livelihoods depend on correctly divining the most up-to-date nexus of power — and thus who gets one of the 100 or so seats front row and who is banished to the relative Siberia of the second row.

James LaForce, a veteran publicist who is organizing at least six Fashion Week shows, was contemplating the oh-so-delicate placement of Very Important Editors in the front row when it occurred to him that the old rules — like always ensuring a proper distance of at least two seats between the competing editors of Vogue, Elle and Harper’s Bazaar — have been replaced by a complicated set of new ones.

“It’s quite possible there will be a land grab for seats,” he sighed.

Among the changes are new top fashion editors in the ranks of W, Elle, Vogue, New York, Women’s Wear Daily, T: The New York Times Style Magazine and The Wall Street Journal’s fashion supplement, WSJ — many involved in rivalries that make “The Devil Wears Prada” look like a children’s book. Where those editors end up sitting this week at Lincoln Center and other runway-show sites will be scrutinized by industry insiders as a declaration of their relative standing. “Front row seating at a fashion show is as much like the quote-unquote cool table at a high school cafeteria as anything I have ever seen,” said Dan Peres, the editor of Details. “I want to see who gets the seat next to Lady Gaga.”

The planning for this year’s event also serves as a reminder that the days when magazine editors were kings and queens at Fashion Week are long over. Their turf has been eroded by the ceaseless arrival of barely recognizable celebrities, followed by a wave of top bloggers — not to mention anyone who has the slightest connection to Mrs. Obama.

Now, as magazines struggle to reinvent themselves for the 21st century, they are increasing their online presence and expect prime placement for their dot-com writers. After its close association with Style.com for the last decade, Vogue is breaking away with its own Vogue.com franchise, which will compete head-on with the reviews and runway news of Style.com. For the effort, Vogue hired two former Style.com writers, Sarah Mower, a critic, and Candy Pratts Price, its creative director. That makes it tricky to seat the Vogue and Style.com teams together, as had been the norm.

“I’d still put Style.com in the front row, but not anywhere near Vogue,” said Corinna Springer, who produces shows for several emerging designers. Likewise, Women’s Wear Daily editors, many of whom wore dual hats by writing for W and used to sit together as a team, might appreciate some distance from Stefano Tonchi, the former editor of T: The Times Style Magazine who moved to W in March and promptly fired half its staff.

The press agent for one designer, who would not speak on the record for fear of offending one side or the other, said Vogue.com is also asking for previews of the major collections, tromping on the inside-baseball territory once owned by WWD, “and that’s a little bit scary.”

Each editorial move has been scrutinized like an upset in the midterm elections. Brandusa Niro, the editor in chief of The Daily, a publication that follows the comings and goings of the front row and delights in its own grudge match with WWD, said the “summer of 2010 post-apocalyptic mood in media” is a subject she plans to devote an entire issue to during Fashion Week, tracking the intricate connections and conflicts caused by the shuffling. She was particularly curious about the appointment of Peter W. Kaplan, the former New York Observer editor, as the new editorial director of WWD. He is not exactly known for his sense of style, she said.

“I’m going to be sending my reporters to ask him questions all the time,” Ms. Niro said. “I’m fascinated to see how he will react to this circus.”

Elsewhere, Deborah Needleman, the former editor of Domino, became the new editor of WSJ, and Sally Singer, a longtime top editor at Vogue, took over as editor of T: The Times Style Magazine. There are also new fashion directors at Glamour, Elle, Essence and Vanity Fair — positions that dictate front row seating at the shows.

Before all the cross-title poaching, a newspaper critic or indie magazine editor could be positioned as a buffer between the rival factions — a sort of neutral country — but now, they may well be involved in intramural rivalries of their own. “We’ve lost our Switzerlands,” Mr. LaForce said.

Thank heaven for celebrities, the reality-show stars and the ubiquitous cast of “Gossip Girl.” They are the new buffers, with a caveat, as Ms. Niro noted. “If you put someone next to Glenda Bailey,” she said, referring to the editor of Harper’s Bazaar, “Anna Wintour might not like it.”

Worse, any seating faux pas will be instantly broadcast by the pack of journalists and photographers whose beat is the choreography of the front row. “It has been changing for a while, since Billy Boy and that funny little girl who was 13 and looked 97 came along,” said Michael Roberts, who was the Vanity Fair fashion director until June, when he was replaced. (Mr. Roberts, now a style editor at large for the magazine, was referring to the famous-before-their-bedtime bloggers Bryan Boy and Tavi Gevinson.)

Mr. Roberts, a reliable Switzerland, was not certain whether he would even bother attending shows in New York this season. The new environment of editors armed with diaries, Flip cams, laptops and Twitter no longer suits his taste. “I certainly don’t see myself growing older, fatter and grumpier in the front row, which a lot of my dearly beloved colleagues tend to do,” he said.

That leaves one seat open.