Saturday, June 4, 2011

Do My Pores Look Big to You?


SKIN DEEP

Ann Johansson for The New York Times
SUCKED AWAY Tony Silla performs pore treatment on Julie Kokesch, starting with a heat mask, left, followed by extraction, center, and a galvanic current mask, right, which he said stimulates collagen.


02/06 Poland: Auschwitz Sign to Hang Indoors


WORLD BRIEFING | EUROPE

MOVIE REVIEW

Rejoice and Shout (2010)

 NYT Critics' Pick
Michael Ochs Archive/Getty Images, via Magnolia Pictures
Mavis Staples in a documentary history of black gospel music.

The Power of Voices Lifted in Song

Theologians and clergy members of every religious stripe may debate the existence of God until the cows come home. But as demonstrated by “Rejoice and Shout,” Don McGlynn’s documentary history of African-American gospel music, reasonable arguments are nothing compared with the power of voices lifted in song to invoke the Holy Spirit. Your religion or lack of one doesn’t matter. At some point while watching the film, you may feel that music is God, or if not, a close approximation of divinity.
This historical survey of the genre draws heavily on the extensive archives of its producer, Joe Lauro, and is grounded in the work of two experts: Anthony Heilbut, who wrote the classic book “The Gospel Sound: Good News and Bad Times,” and Bil Carpenter, whose “Uncloudy Days: The Gospel Music Encyclopedia” chronicles the lives and careers of more than 650 gospel figures. Their analyses are supplemented by the observations of Jacquie Gales Webb, the host of a popular radio program. Mr. Heilbut’s approach is primarily scholarly and historical, and Mr. Carpenter’s is more sociological and political. Smokey Robinson, who introduces the film and offers its closing observations, sets its praiseworthy tone.
The ensemble representing contemporary gospel in the film is the Memphis-based Selvy family, a sprawling multigenerational clan whose members are first interviewed sitting in church pews and near the end burst into musical life in a performance featuring the mighty voice of Darrel Petties.
“Rejoice and Shout,” which initially seems rambling and digressive, snaps into focus once it begins relating a chronological history of a genre that evolved out of the fusion of plantation work songs and Christian hymns. Black gospel was first recorded at the beginning of the 20th century. The movie credits the Dinwiddie Colored Quartet, a barbershoplike group formed in a Virginia industrial school, with making the first recording in 1902 for the Victor Talking Machine Company.
Tracing gospel’s development from there, the movie offers a straight lineage of innovators and followers that soon spreads out like a river delta with an increasingly complex network of branches and offshoots. In many gospel songs the Jordan River is a code name for the Mississippi, and crossing it means escaping slave territory on one side for freedom on the other.
The Fisk Jubilee Singers expanded the vocabulary of gospel to emphasize vocal coloration. In the 1930s Thomas A. Dorsey, the Georgia-born Chicago preacher known as the father of black gospel music, organized the first such music publishing company.
We hear the Golden Gate Quartet, a highly polished a cappella jubilee group that had the first of a series of hit records in the mid-’30s, and Sister Rosetta Tharpe, a preacher and guitarist who combined gospel themes with big-band and blues arrangements. Vintage footage shows James B. Davis, the founder of the Dixie Hummingbirds, swapping vocals with its phenomenal lead singer, Ira Tucker, who died three years ago after 70 years with the group. One of the most stirring clips shows the Swan Silvertones, a musically sophisticated ensemble whose crowning glory was the falsetto of its founder and tenor, Claude Jeter.
The incomparable Mahalia Jackson, originally a hairdresser from New Orleans and a protégé of Dorsey’s, is shown in a strong, unvarnished performance from “The Ed Sullivan Show.” Her success illustrates a paradox of gospel: She sold millions of records but was barely acknowledged on the pop and R&B charts. To this day, except for an unpredictable mainstream hit like “Oh Happy Day,” by the Edwin Hawkins Singers, black gospel remains largely under the mass-media radar, a commercial category unto itself.
The lineage continues with the elaborately outfitted Clara Ward Singers (a stage mother, Gertrude, and her daughters, Clara and Willa); the competing Five Blind Boys of Mississippi and the Blind Boys of Alabama (featured in a 1982 gospel musical, “The Gospel at Colonus”); and the Staple Singers. Mavis Staples, whose comments are woven throughout the film, recalls how in the early days of the civil rights movement, the family, led by her guitar-playing father, Pops, incorporated freedom songs and some Bob Dylan numbers into their shows.
The history concludes with the Rev. James A. Cleveland, the renowned choir leader who helped train Aretha Franklin (who is not seen or heard in the film); the Edwin Hawkins Singers; the Winans; and Andraé Crouch, the seven-time Grammy Award-winning singer, songwriter, arranger, producer and pastor, and an architect of contemporary Christian music. A major asset of the film is its refusal to use tiny musical snippets; most of the numbers are fairly complete performances.
Like nearly every other musical genre, African-American gospel is a continuing dialogue between roots on one side and technological innovation and secular influences on the other. What accounts for its integrity? It must be the inviolable core of faith at its center.
“Rejoice and Shout” is rated PG (Parental guidance suggested). It has some mild thematic material and incidental smoking.
REJOICE AND SHOUT
Opens on Friday in Manhattan.
Directed by Don McGlynn; edited by Frank Axelson; produced by Joe Lauro; released by Magnolia Pictures. At Film Forum, 209 West Houston Street, west of Avenue of the Americas, South Village. Running time: 1 hour 55 minutes.

36 Hours in Stockholm


36 HOURS



Dean Cox for The New York Times
From left The scene at the restaurant-bar Riche; at Junibacken, children can visit Pippi Longstocking's house and ride the Storybook Train; cafes line Stortorget, the main square in the Old Town. More Photos »



STOCKHOLMERS revel in the long days of summer when the sun rises as early as 3:30 a.m. and doesn’t set until after 10 p.m. Many locals escape to their country houses, but those who remain in the city spend as much time as possible outdoors — an easy feat since water and parkland make up almost two-thirds of Stockholm. Situated on the Baltic at the mouth of Lake Malaren, Stockholm is built on 14 islands connected by bridges. On sunny days, waterside bars and cafes are packed with people wolfing down summer favorites like herring (served in a variety of ways) and toast Skagen (shrimp in mayonnaise with lemon and dill served with rye bread). Everywhere, visitors will find establishments — new and venerable — celebrating Nordic design, cuisine and culture.
Multimedia
Friday
4 p.m.
1) WALK IN A CIRCLE
Get your bearings and work up an appetite with a bracing five-mile walk that loops around Riddarfjarden, Stockholm’s main body of water. Start at Stadshuset (the City Hall, where Nobel Prizes are handed out) and cross to Riddarholmen, visiting the church where generations of Swedish monarchs are interred. Carry on to Sodermalm, the large southern island, taking beautiful cobbled Bastugatan. Fortify yourself at Melqvist Kaffebar (Hornsgatan 78; 46-76-875-2992), one of the city’s bestcoffee bars (and the old haunt of Stieg Larsson, author of the Lisbeth Salander novels) before continuing over the high bridge that offers amazing views and then descending to the island of Kungsholmen. Reward yourself with waterside drinks at Malarpaviljongen (Norr Malarstrand 64; 46-8-650-8701; malarpaviljongen.se), an open-air cafe-lounge with three floating decks, one of Stockholm’s most popular summer hangouts.
7:30 p.m.
2) LOCAL HEROES
Stockholmers often seem to take a magpie approach to food, importing their favorite trends from abroad. Right now the most popular spots include the French bistro Zink Grill (Biblioteksgatan 5; 46-8-611-4222; zinkgrill.se) and the sensational sushi bar Rakultur (Kungstensgatan 2; 46-8-696-2325; rakultur.se). Thankfully, there are several places that are committed to serving locally sourced food that takes Swedish cuisine to the next level. One of the most enjoyable is the city’s newest culinary star, Restaurang Volt (Kommendorsgatan 16; 46-8-662-3400; restaurangvolt.se). Opened by four young men who have worked at many of Sweden’s top restaurants, the small space includes just one sparsely furnished room — all the excitement is on the plate. You can order à la carte, but it’s far better to opt for the three-, five- or seven-course menu, featuring dishes like rabbit with carrots and dandelion, and, for dessert, fennel with white chocolate and licorice (485, 685 and 785 Swedish kronor, or $78, $110 and $126, at 6.22 Swedish kronor to the dollar).
10 p.m.
3) STRAIGHT UP
There are a couple of places where you can get a drink with a panoramic view of the city.Gondolen (Stadsgarden 6; 46-8-641-7090; eriks.se) is part of a viewing platform on the edge of Sodermalm neighborhood that overlooks the Old Town (Gamla Stan) and harbor. For even more dramatic views, visit Och Himlen Dartill (Gotgatan 78; 46-8-660-6068;www.restauranghimlen.se), a bar and restaurant atop a Sodermalm skyscraper.
Saturday
11 a.m.
4) STORY TIME
When it comes to iconic Swedish writers, not even Stieg Larsson can match Astrid Lindgren, the creator of Pippi Longstocking. Junibacken (Galarvarvsvägen; 46-8-587-23000; junibacken.se) is a sort of indoor amusement park where you can visit Pippi’s house and take the Storybook Train, which will carry you through a series of tableaux drawn from her books. Even for an adult with no knowledge of Lindgren’s work, it’s great fun; for children, it’s thrilling. Afterward go for a rhubarb tart or a slice of mango-cardamom cheesecake (around 45 kronor) at nearby Helin & Voltaire (Rosendalsvagen 14; 46-8-664-51-08; helinvoltaire.com), a cafe that looks as if it came straight out of a fairy tale.
1:30 p.m.
5) ISLAND LUNCH
Any visit to Stockholm should include an exploration of one or more of the thousands of islands that make up the Stockholm Archipelago. It takes several hours’ sailing to reach the heart of the archipelago but you can get a quick fix by taking a ferry to Fjaderholmarna, a group of islands just 20 minutes from downtown. Book ahead for lunch on the deck beside the water at Fjaderholmarnas Krog (46-8-718-33-55;fjaderholmarnaskrog.se). The midsummer menu includes plenty of herring, dill-smoked salmon and oysters. Expect to spend 250 kronor for lunch.
3 p.m.
6) MAIN STREET
On Hamngatan, one of the city’s main shopping streets, two retail titans are squaring off, and national pride is at stake: on one side stands NK (Hamngatan 18-20; 46-8-762-8000;nk.se), the venerable Swedish department store that opened in 1902. Almost directly opposite is the challenger, the Danish design store Illums Bolighus (Hamngatan 27; 46-8-718-5500; illumsbolighus.dk), established in Copenhagen in 1925, which opened its first Swedish store last fall. NK has the edge as far as food and fashion go, but when it comes to cool Scandinavian design, Illums is unbeatable. Here you will find pieces by all the big names of Danish design — Finn Juhl, Hans Wegner, Verner Panton — as well as international brands at all prices.
4 p.m.
7) NORDIC BY NATURE
Book a treatment at the Raison d’Etre spa inside the Grand Hôtel (Sodra Blasieholmshamnen 8; 46-8-679-3500; grandhotel.se). The spa feels thoroughly Nordic, with blocks of granite underfoot in the shower and murals with pixilated views of the archipelago. Of course, treatments (from 930 kronor for a neck, back and shoulder massage) include classic Swedish massage.
5:30 p.m.
8) ANIMAL INSTINCT
The Old Town, in the heart of the city, has no end of restaurants targeting tourists; it also has some of the best places to eat. Djuret (Lilla Nygatan 5; 46-8-506-40084; djuret.se), whose name means “the animal,” offers a meat-heavy menu that focuses on one meat-and-wine pairing at a time: lamb with Bordeaux, for instance, or veal with Barolo and Barbaresco. However, on June 27 Djuret closes for two months and instead offers a top-notch pork barbecue in the courtyard behind the building, weather permitting. Its name? Svinet, which means “the pig.” No reservations, so arrive soon after it opens at 5 p.m. A three-course meal with wine costs around 550 kronor.
10 p.m.
9) VINTAGE DRINKS
The restaurant-bar Riche (Birger Jarlsgatan 4; 46-8-545-03560; riche.se) has been going strong since 1893. It starts to fill up as soon as nearby offices close and is soon crammed with a glamorous, affluent crowd. You’ll most likely hear more Champagne bottles being popped open here than anywhere else in town. If the crush is too much, cross the road to KB (Smalandsgatan 7; 46-8-679-60-32; konstnarsbaren.se), a classic Stockholm restaurant that has a charming bar with murals dating from the 1930s of ale-swilling Vikings and tipsy monks sipping Chartreuse.
Sunday
11:30 a.m.
10) THE ART OF BRUNCH
Stockholm can be a sleepy town on a Sunday, and few restaurants serve brunch. The restaurant at the Moderna Museet (Skeppsholmen; 46-8-5195-6291-5282;modernamuseet.se) has a lavish weekend buffet brunch serving Asian, African, American and European dishes (265 kronor). Reservations are essential as there are only two sittings, at 11:30 a.m. and 2 p.m. If you don’t have a reservation, visit the cafe and enjoy a simpler meal alfresco on the large terrace.
1 p.m.
11) PICTURE PERFECT
Fotografiska (Stadsgardshamnen 22; 46-8-5090-0500; fotografiska.eu, admission 110 kronor) opened last year in a former tollhouse on the quayside of Sodermalm. It has photographic exhibitions of varying quality (Annie Leibovitz was the opening show, but some subsequent exhibitions have been somewhat ho-hum), but it’s worth visiting the top-floor cafe where you’ll find enormous windows looking out over the Old Town. The view is so spectacular that even if you don’t like the photos on the gallery walls you’re bound to end up snapping a few yourself.
IF YOU GO
Right now the 201-room Nobis (Norrmalmstorg 2-4; 46-8-614-10-00; nobishotel.se ), which opened in December 2010, is the hottest place to lodge. It’s got great service, a perfect location, and bedrooms (from 2,240 kronor) that manage to be stylish without sacrificing comfort.
Benny Andersson of the Swedish pop group Abba opened the Rival (Mariatorget 3; 46-8-545-789-24 00; rival.se) in 2003. The 96 rooms (from 1,595 kronor) have stills from Swedish movies over the beds, from Garbo in “Queen Christina” to, of course, “Abba: The Movie.”
When Nobel laureates come to pick up their checks for 10 million Swedish kronor (around $1.5 million), they stay at the 340-room Grand Hôtel (Sodra Blasieholmshamnen 8; 46-8-679-3500; grandhotel.se), a Stockholm landmark since 1874. Doubles start at 1,990 kronor but check in only if you can afford one overlooking the water (from 3,000 kronor).

04/06 Lý Nhã Kỳ diện đồng hồ và hoa tai gần 7 tỉ đồng đi tiệc


Thứ bảy, 04/06/2011 02:11 PM
Người đẹp Lý Nhã Kỳ diện một chiếc đầm trắng kiêu sa thu hút mọi ánh nhìn trong buổi tiệc Director's Day (Ngày hội đạo diễn) và theo nguồn tin riêng của chúng tôi, cô diện trang sức và đồng hồ rất giá trị.
Người đẹp Lý Nhã Kỳ thu hút mọi ánh nhìn với chiếc đầm màu bạc, cô diện trang sức cùng tông với đầm: một đôi hoa tai được thiết kế hình giọt nước đan vào nhau tựa hình khoá son, trên cổ tay của cô là chiếc đồng hồ được gắn đá quý.
Theo nguồn tin riêng của, chiếc đồng hồ Lý Nhã Kỳ đang đeo là của thương hiệu Piaget trị giá gần 300.000 đô la tương đương hơn 6 tỷ đồng. Ngoài ra, đôi hoa tai của diễn viên "Kiều nữ và đại gia" đang đeo trị giá hơn 30.000 đô la (khoảng hơn 600 triệu đồng). Quả thực, đồ trang sức đã giúp cho Lý Nhã Kỳ thêm phần toả sáng trong đêm hội dành cho giới làm điện ảnh (Director's Day).